1. Artemidoris (Julius Caesar), English. 1.5 billion native speakers
The largest language in the world in 2026, it is the Shakespearean giant and widespread global lingua franca. Many of us have been born and raised in it, immersed by many former colonies where the sun never set on the vast British empire. Based on wealth and power, wars fought and trade agreements and commerce enforced, Hollywood and musical magic crossing the airwaves in all directions.
This is the biggest ocean on the planet, and it grows every day. Indians speak it more than ever, as do people in Africa and other far flung parts of the planet. I and we read its literature.
The Alpha language, the ubiquitous waters of an everflowing mass: from Chaucer to the Bard, Melville to Hemingway, Vonnegut to King.
I am 55. At least 50 of my years I have been listening, conversing, and reading it, primarily. American drawls and properly enunciated grammar from Harvard scholars, the Queen's English, the pidgin from Sierra Leone or of the Bahamas. Even when surrounded by other seas and waters, like Spanish and Arabic and even German, this is the ocean of my basis and life. I have spent more time from it than many U.S. folks, yet it is still the main mode and method of my understanding and operation.
Even the foreign favorite authors we read in our native tongue: Allende, Hugo, Tolstoy, Dostoyevsky. Perhaps Chinua Achebe of Nigeria composed his works in English, I imagine. Naghib Mafouz of Egypt, Garcia Marquez of Colombia, Miguel de Cervantes of Spain. Goethe of Germany or Ibsen of Norway.
It seems they all come to us. Conrad of Poland, actually perfected his craft in English. Now we have more speakers than ever: the flow of English, the hybrid developed in the United Kingdom of Tudors or Stuarts and the other royals surrounding them, the mix of Latin and Germanic, with differing options between the the more Roman versus the hinterland of principalities and tribes with their gutteral utterances.
Artedimoris: our massive ocean of language surrounding us, encompassing us in the empire of "yes, no, and maybe so."